From the 2023/24 season, Anastasia Lerman is part of the ensemble at the Tiroler Landestheater Innsbruck, where she appeared in several new productions, amongst them Titania in Purcell’s The Fairy Queen and Susanna in Mozart’s Le nozze di Figaro. During the 2024/25 season, her role debuts as Nanetta in Verdi’s Falstaff and Vitellia in Mozart’s La clemenza di Tito will follow.
Anastasia Lerman has performed at the Bolshoi Theater and Marijnsky Theater in a wide range of repertoire, including Susanna in Mozart’s Le nozze di Figaro, Teresa in Berlioz’s Benvenuto Cellini, Xenia in Mussorgsky’s Boris Godunov, Musetta in Puccini’s La bohème, Belinda in Purcell’s Dido and Aeneas, Elvira in Rossini’s L’Italiana in Algeri, Marfa in Rimsky-Korsakov’s The Tsar’s Bride, The Swan Princess in Rimsky-Korsakov’s Tsar Saltan and the title role in Rimsky-Korsakov’s Snow Maiden, Brigitta in Tchaikovsky’s Iolanta, Oscar in Verdi’s Un ballo in maschera and Alexandra Epanchina in Weinberg’s Idiot.
The Russian soprano worked on roles with directors such as Yevgeny Aryeh, Jasmina Hadžiahmetović, Barbora Horáková, Vincent Huguet, Timofey Kulyabin, David Livermore, Yevgeny Pisarev, Jean-Romain Vesperini, and Mirella Weingarten. Anastasia Lerman has sung under the baton of conductors including Alexey Bogorad, Paolo Carignani, Jianluca Capuano, Placido Domingo, Valeriy Gergiev, Christopher Moulds, Ainārs Rubiķis, and Tugan Sokhiev.
As a concert soloist, the soprano sang Beethoven’s Cantata on the Elevation of Leopold II to the Imperial Dignity, Pergolesi’s Stabat Mater, Schubert’s Ave Maria, Schumann’s Frauenliebe und -leben, and Stravinsky’s Les noces. She has also sung Russian romances and arias by Rachmaninov and Rimski-Korsakov and sung Italian arias and romances by Bellini, Donizetti and Verdi.
Encouragement Award: Bologna International Vocal Competition 2023
This biography is for information only and should not be reproduced. © Artistainternational, May 2024.