Aljoscha Lennert will join the ensemble of Theater Osnabrück from the 2021/2022 season onwards. During the 2019/2020 and 2020/2021 seasons, the tenor, born in Nuremberg, was engaged at the Hanover State Opera studio, where his repertoire included Andonis in Martinů’s The Greek Passion, First Priest and First Armed Man in Mozart’s Die Zauberflöte and Fourth Jew in Strauss’ Salome.
In 2020, Aljoscha Lennert performed Michel in Martinů’s Julietta at Hanover University of Music, Drama and Media, where he has also sung the Dancing Master in Strauss’ Ariadne auf Naxos and Bobinet in Offenbach’s La Vie parisienne. Between 2016 and 2018 the tenor made guest appearances at the Theater für Niedersachsen in Hildesheim, where his repertoire included roles such as John Buffy in Abrahams’ Die Blume von Hawaii, a Krakow student in Busoni’s Doktor Faust, Comino in Donizetti’s Adelia, Ottokar in Strauss’ Der Zigeunerbaron and Jack and Tobby Higgins in Weill’s Rise and Fall of the City of Mahagonny.
In 2014 and 2015 Aljoscha Lennert made guest appearances at Frankfurt Opera as Edwin in a children’s production of Kálmán’s Die Csárdásfürstin and as a soldier in Monteverdi’s L’incoronazione di Poppea. Between 2012 and 2014 he was a guest at the Junge Oper Rhein Main and at the Bad Vilbel Castle Festival, where he sang Don Ramiro in a children’s version of Rossini’s La cenerentola and Pedrillo in a children’s version of Mozart’s Die Entführung aus dem Serail, Don Basilio in Mozart’s Le nozze di Figaro and Pluto in Offenbach’s Orphée aux enfers.
As a concert soloist, Aljoscha Lennert has developed an extensive repertoire including works by Bach, Beethoven, Britten, Bruckner, Charpentier, Dvořák, Gounod, Handel, Haydn, Janáček, Mendelssohn, Mozart, Orff, Rossini, Saint-Saëns, Spohr and Telemann.
First Prize: Hochschule für Theater und Medien Hannover Competition 2021
This biography is for information only and should not be reproduced. © Artistainternational, May2021.
Three questions to Aljoscha Lennert:
A composer: Concert: Bach; operetta: Johann Strauß; opera: Puccini.
What was your calling to become a singer? The moment when I was allowed to experience the “Speaker scene” from above in a floating ice cream cone as the Third Boy in The Magic Flute.
To be a singer – in three words: Passion, persistence, emotions.