From the 2021/22 season, Michał Prószyński joins Oper Bern, where his repertoire ranges from Pelléas in Debussy’s Pelléas et Mélisande to Mime in Wagner’s Das Rheingold. The tenor appeared as a guest at Staatstheater Braunschweig between 2018 and 2020, singing Vicomte Cascada in Lehár’s The Merry Widow under the baton of music director Srba Dinić and Abdallo in a new production of Verdi’s Nabucco at Domplatz Open Air 2019.
In 2020, the Polish tenor was engaged to sing Roderick Usher in Glass‘ The Fall of the House of Usher, accompanied by Munich Jewish Chamber Orchestra with performances at Kammerspiele München, Theater Aschaffenburg and Theater Landsberg am Lech, but the production had to be postponed to 2022 due to Covid-19. In 2021, he made his debut at Schlossfestspiele Ettlingen as Alfred in a new production of Strauß’ Die Fledermaus. Michał Prószyński worked with directors Elmar Goerden, Ewelina Marciniak, Aron Stiehl and Marco Štorman.
The tenor made his stage debut in 2015, singing the leading role of Antonio in Moniuszko’s Nocleg w Apeninach (Night camp in the Apennines). In 2017, Michał Prószyński performed Brahms’ Neue Liebeslieder Walzer, op. 65 at the 2nd Voice and Piano Chamber Music Festival in Kraków and Harlequin in Szymanowski’s Mandragora at the 8th Festival of Polish Music with Kraków Philharmonic.
Michał Prószyński has performed under the baton of conductors including Nicholas Carter, Srba Dinić and Sebastian Schwab and appeared with orchestras such as AUKSO Orkiestra, Berner Symphonieorchester and Staatsorchester Braunschweig. In May 2022, he will make his debut at the Munich Festival Stars & Rising Stars.
First Prize (Bachelor): Hochschule für Theater und Medien Hannover Competition 2021
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