From the 2021/2022 season, Michał Prószyński will join the ensemble of Oper Bern, where his repertoire includes Pelléas in Debussy’s Pelléas et Mélisande as well as Mime in Wagner’s Das Rheingold. The tenor was a guest at Staatstheater Braunschweig during the 2018/2019 and 2019/2020 seasons, singing Vicomte Cascada in Lehár’s The Merry Widow under the baton of music director Srba Dinić. He made his debut as Abdallo in a new production of Verdi’s Nabucco at Staatstheater Braunschweig’s Domplatz Open Air 2019.
In 2020, the Polish tenor was supposed to sing Roderick Usher in Glass‘ The Fall of the House of Usher, accompanied by Jewish Chamber Orchestra Munich with performances at Kammerspiele München, Theater Aschaffenburg and Theater Landsberg am Lech – this was postponed to 2022 due to Covid-19. At Schlossfestspiele Ettlingen, he will sing Alfred in a new production of Strauß’ Die Fledermaus in 2021.
Michał Prószyński made his stage debut in 2015, singing the main part of Antonio in Moniuszko’s Nocleg w Apeninach [Night camp in the Apennines], followed by Harlequin in Szymanowski’s Mandragoraat Krakow Philharmonic in 2017.
At Festival II Voice and Piano in Krakow, Michał Prószyński performed Brahms’ Neue Liebeslieder Walzer, op. 65. The same year he performed Szymanowski’s Mandragora at the VIII Festival of Polish Music at the Philharmony of Krakow. He performed under the baton of conductors including Srba Dinić and was accompanied by orchestras including AUKSO Orkiestra, Jewish Chamber Orchestra Munich and Staatsorchester Braunschweig.
First Prize (Bachelor): Hochschule für Theater und Medien Hannover Competition 2021
This biography is for information only and should not be reproduced. © Artistainternational, June 2021.