* born in Germany.
Stine Marie Fischer made her debut at Oper Stuttgart in 2014 in Rihm’s Jakob Lenz, followed by Stubenmädchen in Boesman’s Der Reigen, Bradamante in Handel’s Alcina, Dryade in Strauss’ Ariadne auf Naxos, Annina in Strauss’ Der Rosenkavalier, Pollina in Tchaikovsky’s Queen of Spades, as well as Maddalena in Verdi’s Rigoletto. During the 2018/2019 season, she will sing in new productions of Henze’s Der Prinz von Homburg and Prokofiew’s L’amour des trois oranges.
At Oper Frankfurt, Stine Marie Fischer has been a guest since 2010: singing in Mozart’s Die Zauberflöte, The Cook in Reimann’s Gespenstersonate, Dryade in Strauss‘ Ariadne auf Naxos, Rossweiße in Wagner’s Walküre, in the world-premiere of Navok’s An unserem Fluss and Maddalena in Verdi’s Rigoletto. At L’Opera Monte Carlo she introduced herself as Floßhilde in Wagner’s Das Rheingold in 2013, followed by her debut at Théâtre Royal de la Monnaie in Brussels in 2015, at Deutsche Oper am Rhein, Düsseldorf-Duisburg, and Staatsoper Berlin in 2017. In 2019, she will return to Théâtre Royal de la Monnaie for a new production of Rimski-Korsakov’s Skazka o Tsare Saltane.
Stine Marie Fischer was soloist in Bach’s St. John Passion (Stuttgarter’s Bachwoche ) and has sung Beethoven’s Symphony N° 9 (Japan), Handel’s Messiah as well as Mozart’s Coronation Mass at Festival Mecklenburg-Vorpommern. In 2019, she made her debut at Elbphilharmonie. She took part in world-premiéres in Cap d’Ail (South France), Lyon, Frankfurt, Göttingen and Leipzig.
In 2014, Stine Marie Fischer made her Japan debut. She performed under the baton of conductors including Sylvain Cambreling, Giuliano Carella, Ivan Fischer, Gianluigi Gelmetti, Michael Hofstetter, Helmut Rilling, Sebastian Weigle and performed with orchestras such as Berliner Symphonikern, Frankfurter Museumsorchester, Hamburger Symphoniker, Konzerthausorchester Berlin, Orchestre Philharmonique de Monte-Carlo, Orchestre symphonique de la Monnaie Bruxelles, Staatskapelle Berlin, Staatsorchester Stuttgart.