Clara Nadeshdin sang her first Tatyana in Tchaikovsky’s Eugene Onegin at Landestheater Detmold in December 2020 – the premiere was cancelled due to Covid-19 after the dress reheasal, as was Reimann’s Lear at Staatsoper Hannover in 2021, in which she was to have sung Regan. In 2019, the German soprano performed Ada in Wagner’s Die Feen in a version for children at Theater Osnabrück’s Theater am Dom. In 2022, her portrait of Katja Hartinger in Jost’s Die Arabische Nacht at Deutsche Staatsoper Unter den Linden received positive attention.
Clara Nadeshdin joins the International Opera Studio of Staatsoper Unter den Linden in Berlin from the 2021/22 season, where she will sing parts including Frau Fink von der Bestattung in Haas’ Thomas, Erste Dame in Mozart’s Die Zauberflöte or Gerhilde in Wagner’s Walküre during the 2022/23 season. The soprano made her role debut in the title role in Martinů’s Julietta at Hanover Hochschule für Musik, Theater und Medien in 2020 and has sung Primadonna in the Prologue of Strauss’ Ariadne auf Naxos in 2019. At Staatsoper Hannover she performed Erste Dame in Mozart’s Die Zauberflöte and First Soprano in Martin’s Le Vin herbé at the Garden Theatre at Hanover’s Herrenhausen Gardens between 2019 and 2021.
Clara Nadeshdin has worked with directors such as Barbora Horáková, Marcin Lakomicki, Wolfgang Nägele, and Karen Stone and with conductors including Cameron Burns, Thomas Guggeis, Lutz Rademacher, Valtteri Rauhalammi, Ivan Repušić, Eduardo Strausser, Simone Young, and Stephan Zilias.
As a concert soloist, Clara Nadeshdin has performed Bliss‘ Madam Noy in a concert series commemorating the end of World War I in Hanover in 2018. She is also a dedicated recitalist and will sing a recital at Staatsoper Unter den Linden in September 2022.
This biography is for information only and should not be reproduced. © Artistainternational, August 2022.
Puccini: Manon Lescaut
Manon: Sola, perduta, abbandonata …
In collaboration with STUDIO KULTURA.
